Specials

Soverview of the Program

Title When by/with Location
BECOMING RIVER 2-channel video projection (Loop 20’) 13.05. to 16.05.
each day 12:00 to 20:00
Daniel Fetzner, Janna Häcker, Sebastian Lindlar, and Adrian Schwartz MobiLab (Container) at Bürgerpark near Billetschen Schlösschen
Vexier Tuesday, 13.05.
at 21:00 (84 Min.)
Matthias Wissmann FORUM CINEMAS OFFENBURG
Haal 1
BECOMING RIVER – Artists’ Talk Wednesday, 14.05.
at 14:00
Daniel Fetzner, Janna Häcker, Sebastian Lindlar, and Adrian Schwartz MobiLab (Container) at Bürgerpark near Billetschen Schlösschen
PANEL: What Do I Still Have to Say to This World? Thursday, 15.05.
at 19:30
Klaus Theweleit, Michaela Kobsa-Mark, and Zaid Ghasib FORUM CINEMA OFFENBURG
Haal 8
WE ALL GO UP Friday, 16.05.
at 16:00 (68 Min.)
Adrian Schwartz FORUM CINEMAS OFFENBURG
Haal 1

becoming river

2-channel video projection (loop 20’) | MobiLab (Container) in Bürgerpark near Billetschen Schlösschen
May 13–16 2025 from 12:00 to 20:00 | Free admission

On May 14 at 18:00, an introduction will take place on-site in the presence of the artists.

The unconscious becomes perceptible in dreams. Something inside us is stirred—not consciously, but in chaos. Images, language, and bodily experiences serve as storage media. The return of the repressed happens in a free flow—memories, fears, and cultural symbols overlap. BECOMING RIVER evokes the spirits of our repression culture along the course of the Murg River in the Black Forest.

The 2-channel video projection BECOMING RIVER by Daniel Fetzner, Janna Häcker, Sebastian Lindlar, and Adrian Schwartz will be on display during the trinational film festival SHORTS at the MobiLab (Bürgerpark, Billetsches Schlösschen).

The installation was created as part of the research of the Media Ecology Laboratory by Daniel Fetzner, Adrian Schwartz, Janna Häcker, Simon Feller, and Ephraim Wegner (http://becomingriver.com). Over three years, they have studied life on, in, and around the Murg River and documented the river’s movements and its inhabitants.

More information

round Table: What do I still have to say to this world?

with Klaus Theweleit, Michaela Kobsa-Mark and Zaid Ghasib | May 15, 2025, 7:30 PM, Haal 8 | Free admission | Barrier-free access

What do I want to tell? In what form? What am I allowed to tell? And what is even worth telling?

Many older people think: “You can’t say anything anymore,” while the younger generation falls silent and wonders: “What do I still have to say to this world?” Cultural and film theorist Klaus Theweleit (*1942) discusses the unspeakable and the unheard with young filmmakers Michaela Kobsa-Mark and Zaid Ghasib.

Klaus Theweleit

Klaus Theweleit

Cultural and film theorist

Michaela Kobsa-Mark

Michaela Kobsa-Mark

Filmmaker

Zaid Ghasib

Zaid Ghasib

Filmmaker

In his decades-long engagement with fascism, Theweleit has intensely examined the deep psychological processes of repression and the resulting social structures. Authoritarian figures, embedded in both our cultural memory and our psychological power dynamics, drive us forward. Memories and experiences sink into the unconscious, like objects settling on the riverbed. However, they inevitably resurface, forcing their way back into our awareness. Klaus Theweleit describes the fascist male body using the metaphor of water. Floods, currents, or dirt threaten to overwhelm the rigid, controlled self, shaking its certainties. Through his thought-provoking text and image montages, we will engage in conversation with him.

The audience is warmly invited to join the discussion.

vexier

Tuesday, May 19th. 9 pm, Haal 1

Suffering from a paralyzing sense of unease and cut off from friends and family, Lea finds herself in an abusive relationship with Sven. After a devastating knee-jerk reaction, Lea must decide: will she allow herself to be taken back, or will she free herself?

Director Matthias Wissmann (*1987) began making small genre films with school friends at the age of 15 and eventually ended up studying media design at Offenburg University of Applied Sciences, where he earned a Bachelor of Arts in 2015 and a Master of Science in short and medium-length film production in 2018. During his studies, he created his films Dunkelkammer (2014), Rattenkönig (2015), FIRST DROP OF BLOOD (2016), THE SEAM (2017), and AQUARIUMMANN (2018).

Today, he works freelance as a writer, director, and editor on feature film and commercial productions. “Vexier” is his first feature-length, independently produced feature film.

we all go up

Friday, May 19th. 4:00 pm, Haal 1

In a world in which happiness is fading, the greatest hope is the promise of a technological evolution of mankind towards a life without suffering in a virtual paradise. The pressure of these lifechanging circumstances is enormous and so even the disoriented Charlie has to decide whether he wants to continue roaming the earth or upload himself to the digital paradise.

Adrian Schwartz was born in Stuttgart, Germany, in 1994. He began making films at the age of twelve. During his studies at Offenburg University of Applied Sciences and the Baden-Württemberg Film Academy, Adrian professionalized his cinematic work. The short film “Liebesstreifen” (Love Stripes) won the 2018 Federal Youth Film Prize and deals with the incapacity of young love. In his documentary “Im Reich des Squatters” (2020), Adrian examines the relationship between disgust and society using a case study. In his essay film “Innerer Kongo” (Inner Congo), he finds himself caught up in postcolonial discourse and interweaves his inner impressions with footage from his trip to the Congo. In his film work, Adrian focuses on ethnographic and psychographic interventions and concentrates on the development of counter-narratives. “We All Go Up” is his first feature-length film and his thesis at Offenburg University of Applied Sciences.

Past Events

March 15th 2025 6 p.m. FORUM Offenburg, Haal 8

Baldiga – Entsichertes Herz

In the meantime until the next Shorts take their place, on March 15th, 2025 at 6:00 p.m. we will be showing the film BALDIGA – UNLOCKED HEART in the Forum Offenburg in Hall 8. The film by Markus Stein lasts 92 minutes and will be shown in the original German version (FSK: 16).  Editor Brigitte Schmiedle, who is also part of this year’s jury, will be present at the screening.

Students of the HS Offenburg can get in free of charge if they present their Oskar, everyone else pays €5.00. Tickets are available directly from the Forum.

West Berlin, 1979. Jürgen Baldiga, son of a miner from Essen, has just arrived in the city and decides to become an artist. Working as a rent boy and cook, he writes poems and a diary. After learning that he has HIV in 1984, he discovers photography. He intends his images to stop time and capture reality. They reveal his friends and lovers, wild sex, life on the street and the camp queens from the SchwuZ gay club who become his adopted family. Oscillating between despair and desire, rebellion and the will to survive, Baldiga becomes a chronicler of the queer West Berlin subculture in the face of his own imminent demise. When he died at the age of 34 in 1993, he left behind thousands of photographs and forty diaries – a unique artistic legacy.

Using poetic diary excerpts, stark images and memories from companions, Baldiga – Entsichertes Herz depicts not only a ground-breaking photographer but also an AIDS activist and committed fighter against the stigmatisation of gay people’s lives.

The Necronautics
Artificial intelligence and creativity

How AI influences people, media and companies.

Wednesday, 10.04., 3 pm, Theater 8
Black Forest Innovation & Shorts Film Festival

We will start the second day of the festival, Wednesday, April 10 at 3 pm, with a look at the dynamic development of artificial intelligence and its far-reaching effects on the world of work and media.

The rapid development of artificial intelligence (AI) may have a profound impact on creative processes, structures in companies and the way content is created and distributed. Using best practices, we will show what is currently possible, how the technologies are being used and shed light on the regulations that frame these innovations.

At the same time, we will discuss with the speakers and the audience what opportunities and risks this development entails.

 

The Necronautics
The Necronautics
Hans und rumana

Feature Film by Zaid Ghasib

In the presence of the filmmakers followed by a discussion
Friday, April 12, 4 pm – Theater 8

While two strangers who fell in love with each other struggle with the uncertainty of their relationship, a little girl murders another, a pianist breaks up with his band to pray in front of his audience and someone sees this as an opportunity to get closer to his old love.

The filmmaker will be available for a discussion with the audience after the film.